This is the story of Roky Erickson: manic frontman for the legendary band The 13th Floor Elevators, creators of psychedelic music and muse to Janis Joplin. You’re Gonna Miss Me is a disturbingly intimate portrait of an imploding family and the struggle between modernized medicine and religion.
One of the most important record labels in the history of jazz—and, by extension, that of American music—Blue Note Records has been home to such groundbreaking artists as Miles Davis, Thelonious Monk, John Coltrane, Bud Powell, Art Blakey, and Eric Dolphy, as well as present-day luminaries like Ambrose Akinmusire and Norah Jones. Founded in New York in 1939 by German-Jewish refugees Alfred Lion and Francis Wolff, Blue Note’s history goes beyond the records, encompassing the struggle of black artists to be heard, the conflict between art and commerce, and the idea of music as a revolutionary force.
Using vintage footage, rare photos, memorabilia and audio, and fresh interviews with band members and associates as well as notable fans and observers, Pushin’ Too Hard relates the bizarre rage-to-riches-to-rags tale of the rock quartet who took Los Angeles by storm in the mid-60s.
Parallel Love: The Story of a Band Called Luxury follows the path of Luxury, a band from small-town Georgia, who, on the cusp of success, suffer a devastating touring wreck with long-term consequences
Becky Something (Elisabeth Moss) is a '90s punk rock superstar who once filled arenas with her grungy all-female trio Something She. Now she plays smaller venues while grappling with motherhood, exhausted band mates, nervous record company executives, and a new generation of rising talent eager to usurp her stardom.
Almost 30 years after Stiv’s mysterious death in Paris, the Dead Boys have become the stuff of (Punk) legends but unsurprisingly the story remains largely untold. How did this native from Girard, Ohio end up living the life of Riley in Paris, France? Was Stiv really hit by a car (or a taxi...) on that fateful day? Who was the real Stiv Bators? These are a few of the questions answered in STIV.
Paris, Summer 1979. Anne (French pop star Vanessa Paradis) produces third-rate gay porn. After her editor and lover Lois leaves her, she tries to win her back by shooting her most ambitious film yet with her trusted, flaming sidekick Archibald. But one of her actors is brutally murdered and Anne gets caught up in a strange investigation that turns her life upside-down.
Before Oprah, Before Arsenio, there was Mr. SOUL! Ellis Haizlip makes television broadcast history with SOUL!, America's first "black Tonight Show." Featuring archive footage of James Baldwin, Sidney Poitier, Patti LaBelle, Stevie Wonder, Gladys Knight, Harry Belafonte, Nikki Giovanni, among others.
Freaks – chainsaw-wielding synth players, students, activists, and runaways wander in and out of frame as the camera roams the scene as a detached eye, capturing the drugged-out excess of transient, 20-something misfits living in a permanent state of ruin within a communal squat. In Dogs in Space, writer/director Richard Lowenstein takes a decidedly scuzzy, nostalgia trip through the Australian “Little Bands” scene, where platinum dye-job groupies and henna-red haired frontman writhe on grime-coated carpets encrusted in tragic, punk-poet romance.
Words are weapons in the world’s most brutal lyrical sport. Produced by Eminem and directed by Joseph Khan, one of the biggest music video directors of all time (from Wu Tang Clan to Taylor Swift), Bodied is a go-for-the-jugular, hilarious look inside the competitive world of rap battles.
The night of the high school Christmas concert marks the arrival of the undead in Anna's small town. And so begins a struggle to band together and survive. Future dreams are forced aside by the overwhelming need to survive the present in this winning Scottish musical-horror-comedy.
Turo (25) is stuck in a small village in Northern Finland. The only glimpses of light in his life are provided by the amateur metal band, whose vocalist he is. The guys get a surprise visitor from Norway: the head of Northern Damnation, a huge metal festival. They decide that it’s now or never.
Here to be Heard: The Story of the Slits tells the story of the young women pioneers of the mid-70’s Punk era from a female point of view. Contemporaries of The Clash and Sex Pistols and the pioneering godmothers of the musical movement known as "Punky Reggae", it runs from the bands’ inception in 1976 to its’ end in 2010 coinciding with the death of lead vocalist, Ari Up.
In 1983, documentary filmmaker Miroslav Janek became involved with a group of volunteers running a tiny community radio station out of the belfry of a Unitarian church in South Minneapolis. Operating at a humble 14-watts, KFAI hosted a motley crew of characters pumping out blues, progressive rock, foreign language programming and absurdist radio theater to anyone who could pick up the signal.
What happens when the community you need is not the community you have? Tell yourself it exists over and over, make fan zines that fabricate hordes of queer punk revolutionaries, create subversive movies, and distribute those movies widely—and slowly, the community you’ve fabricated might become a real and radical heartbeat that spreads internationally.
As single dad Frank (Nick Offerman) prepares to send hardworking daughter Sam (Kiersey Clemons) off to UCLA pre-med, he also reluctantly realizes he has to accept that his own record-store business is failing. Hoping to stay connected with his daughter through their shared love of music, he urges her to turn their weekly “jam sesh” into an actual band.
Prince goes Sahel in this colorful homage to “Purple Rain” and “The Harder They Come.” Set among the sub-Saharan Tuareg people, and reputedly the first feature film in their Tamashek language (which has no word for "purple," hence the title).
Feminist Video Quarterly is a community and series of screenings made by local women and gender non-conforming artists. Screenings held at lil art spaces around the cities. Join us for our seventh screening, in collaboration with Sound Unseen - [HINDRANCE] is a collection of work featuring music and videos made by WTF artists. Artists are financially supported thanks to the Visual Arts Fund grant through Midway Contemporary Art.
In 2007 ex Lifter Puller guitarist/keyboard guy Steve Barone made some lo-fi, crappy green screen, totally pixelated videos on the website MinnieIndie.com. Now, 10 years later we're gonna watch some of them and talk to Steve about it.
"L7: Pretend We're Dead" is a real time journey witnessing the rise, fall, and ultimate redemption of these fierce feminist pioneers of American Rock and Roll. The screening also features an introduction from director Sarah Price, editor JoLynn Garnes, and Lori Barbero of Babes In Toyland.
Stretch and Bobbito: Radio That Changed Lives (Feat. Post Screening w/ Stretch and Bobbito) Sponsored by Rhymesayers Ent.
Sound Unseen and Rhymesayers Ent. present a Soundset weekend screening of Stretch and Bobbito: Radio That Changed Lives, a look at the highly influential radio dj's. Also featuring a post screening Q&A with Stretch and Bobbito.
Join us for a short film retrospective and conversation with Paul von Stoetzel, the demented mind behind Killing Joke films. Also featuring performances by Carnage The Executioner and Symone Smash It
Sound Unseen & Indeed Brewing present a Jay Reatard birthday celebration featuring a screening of Jay Reatard: Better Than Something and live performances by Birthday Suits, Fury Things, and Blood Sculpture.